✓ Use the control handles, or tangents, in conjunction with other, or right-click the points to unlock the tangents and use them independently.Īgain, use the Waveform to see exactly what you’re doing in the darks and lights. Avoid flat lines at the top or bottom. If you adjust individual color channels, you can use the RGB Parade scope, basically a Waveform for each color channel, to monitor each channel separately. You can use the Y sliders under the color wheels to adjust contrast, but for the most precise adjustments, use the color curves. You’ll generally be working with the full RGB curve, but you can also make adjustments to the individual red, green, and blue channels. If an image looks washed out or cloudy, then the contrast is too low. If the image looks too harsh, with a lot of crushed darks and blown out brights, then the contrast is too high. Setting proper contrast or “gamma” is about adjusting the brightest brights and darkest darks. Often, you can use the Auto Adjust to give you general idea of what needs adjusting and then do your white balance adjustment manually to get the best results. ✓ Or, you can use the individual red, green, or blue color curves, or the RGB sliders under the Color Channels tab - whichever you prefer. ✓ If so, you can adjust the color wheels to bring the color vectors more toward the center of the Vectorscope. Is the color in the image bunched toward a certain direction on the color wheel, like blue or orange? Or, you can do it manually and make finer adjustments than the auto white balance. ✓ You can click the Auto Adjust button under White Balance in the Color Curves tab, and VEGAS Pro will adjust the curves for proper white balance. Even though you white balanced the camera when you shot the footage, the white balance may still be a little off, so correct that now. Or, maybe the camera didn’t have a proper white balance and you need to set it now. Here’s how to go through the steps in the Color Grading panel. Using the panel, you can take color correction and color grading in the usual order. First, color correct to get a natural baseline image, then color grade for artistic style and effect. Or, you can exit the Color Grading panel. You can export your color correction work as a LUT for use elsewhere in the project, or for use in any other project or in any other software which accepts LUTs in. You can reset all color controls back to default. You can add a Broadcast Colors filter if necessary for your project. You can add a Bézier mask to limit your correction to only a certain section or object in your image. You can bypass the color grading to see your image without the color work you’ve added. ✓ The third section has only one tab, Finishing, but it contains buttons which lead you to several different functions. As with the Input LUT tab, you can load any. The second tab brings up HSL sliders, and the third tab lets you load a Look LUT for your color grade. ✓ The second section contains color curves and also an automatic white balance button. Under the fourth tab, you’ll find slider controls for input and output, and also for saturation and overall brightness (exposure). Under the third, you’ll find slider controls for the red, green, and blue components of the same four color areas. Under the second, you have four color wheels for adjusting the entire image or for adjusting the Gamma, Gain, and Offset separately. Under the first tab, Input LUT, you have the option of loading a camera LUT if necessary, or any other LUT file in. ✓ The first section contains several tabs which lead to different types of inputs and controls. In the default configuration, the first section displays color wheels, the second displays color curves, and the third displays an array of buttons. The Color Grading panel contains three sections with various color controls. But keep in mind that if you previously closed the Video Scopes window while working in the Color Grading panel, it will not automatically reappear the next time you open the Color Grading panel, and you will have to open it manually under the View>Window drop-down menu. Note, too, that the Video Scopes window also opens. Click the Color Grading button on the timeline toolbar to open the Color Grading panel at the bottom of the main VEGAS Pro window, under the timeline.
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